He was the first to recognize me, and to love what he saw.
What does it mean to find your voice? Among other things, the phrase has come to mean to expression of one’s true self. It is no simple task. For many, the path to discovery is through expressive writing. Perhaps it is the diary of a child or the poetry of a teenager, but almost everyone who puts pen to paper eventually experiences a catharsis of discovery in the process.
As Karen Swallow Prior says in Booked: Literature in the Soul of Me:
Language, throughout Jane’s life, is the tool through which she creates and defends herself. This is why it is essential to the story of Jane Eyre, even though it is a fictional work, that it takes the form of an autobiography. Indeed one of the most distinguishing aspects of Jane Eyre is the “voice” of Jane. It is no coincidence that the term “voice” has come to mean in modern usage much more than just the sound made by the vocal organs, but also the means by which we make our individual selves known, not only to others but to ourselves. For the connection between the self and language is inseparable: it is through language that the self becomes.
Have you ever used journaling or writing to overcome life challenges?
Come to Me, all who are weary and heavy-laden, and I will give you rest. Take My yoke upon you and learn from Me, for I am gentle and humble in heart, and you will find rest for your souls. For My yoke is easy and My burden is light.
Literature, Liturgy & The Arts
Raised in a parsonage amid the moors of Haworth, Charlotte Brontë in 1839 refused marriage proposals from two reverends, later stating that “there is no more respectable character on this earth than an unmarried woman who makes her own way through life quietly, perseveringly.” She published Jane Eyre in 1847. Over the next two years, her brother Branwell and her sisters Emily and Anne all died, most likely from tuberculosis; two other siblings had died in 1825. Brontë eventually married in 1854, but died, while pregnant, in 1855, two years after publishing Villette.
The Folio Society’s Edition of Jane Eyre
‘Do you think I am an automaton? – a machine without feelings? … Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! – I have as much soul as you – and full as much heart!’ As compelling in character as she is ordinary in looks, Jane Eyre is one of literature’s greatest heroines. Hers is a captivating love story that encompasses, among other things, loss, deception, devotion and obsession. With themes of madness and forbidden knowledge, and a Byronic male lead – the glowering Rochester – Jane Eyre is also a suspenseful gothic mystery. Its sparse settings resemble those of Wuthering Heights; places which not only lend themselves to the novel’s psychological drama, but in which the air crackles and whispers with forces beyond human control. However, the narrative belongs to Jane, and it is her singularity and the vivid portrayal of her inner life that make this novel exceptional. Brontë’s intimate first-person narrative formed a template for later authors including Joyce and Proust. As a female character, Jane was far ahead of her time. In her fierce meditations on spiritual and emotional dilemmas, and her determination to remain inwardly free when the cruelties and desires of others threaten her integrity, she was a proto-feminist figure quite unlike her pliant predecessors.
Artist Santiago Caruso’s dedication to the fantastique made him sensitive to the novel’s otherworldliness. His illustrations evoke its eerie scenery and the intensity of Jane’s experiences. In most she is central: a small but wilful figure whose ‘obscure’ life is as profoundly engaging as that of the most dazzling heroine. As author Emma Donoghue writes in her introduction, Jane ‘survives all sorts of abuses and humiliations because she is driven on by a sense that she matters, because everybody matters’.
Karen Swallow Prior
Karen Swallow Prior is Professor of English at Liberty University and an award-winning teacher. She is a contributing writer for The Atlantic.com and for Christianity Today, where she blogs frequently at Her.meneutics. Her writing has appeared in Relevant, Think Christian, and Salvo. She is a Research Fellow with the Ethics and Religious Liberty Commission of the Southern Baptist Convention, a member of INK: A Creative Collective, and a member of the Faith Advisory Council of the Humane Society of the United States.
Booked: Literature in the Soul of Me
Booked draws on classics like Great Expectations, delights such as Charlotte’s Web, the poetry of Hopkins and Donne, and more. This thoughtful, straight-up memoir will be pure pleasure for book-lovers, teachers, and anyone who has struggled to find a way to articulate the inexpressible through a love of story.