You have been my friend. That in itself is a tremendous thing. I wove my webs for you because I liked you. After all, what’s a life, anyway? We’re born, we live a little while, we die. A spider’s life can’t help being something of a mess, with all this trapping and eating flies. By helping you, perhaps I was trying to lift up my life a trifle. Heaven knows anyone’s life can stand a little of that.
What does it mean to be made in God’s image? Among other things, it means we are moral agents whose actions bear eternal consequence. For better or worse, our decisions resonate in eternity. We certainly find this true in our role as stewards over the rest of creation, but like Cain we also are our brother’s keeper.
In Booked: Literature in the Soul of Me, Karen Swallow Prior says this:
A few days later, the horse trader told me, in his gentle, gruff way, that there was nothing to be done; the damage was too great. “His legs were just too bad. He couldn’t stand anymore.” Mercifully, he had put Sonny down.I knew that ultimately this was my doing. I had brought this horse into the world, and I had failed him in the worst possible way that a living creature can be failed. I wore—and still wear—the weight of this responsibility. I never again brought an animal into the world.
Have you ever felt responsible for the suffering of another?
How did you cope with that burden?
Then the Lord said to Cain, “Where is Abel your brother?” He said, “I do not know. Am I my brother’s keeper?” And He said, “What have you done? The voice of your brother’s blood cries out to Me from the ground. So now you are cursed from the earth, which has opened its mouth to receive your brother’s blood from your hand. When you till the ground, it shall no longer yield its strength to you. A fugitive and a vagabond you shall be on the earth.” And Cain said to the Lord, “My punishment is greater than I can bear!”
Literature, Liturgy & The Arts
E.B. White and Charlotte’s Web
(1899–1985). Although his publications range from three well-known children’s books to numerous essays, books, and poems for adults, E.B. White’s works consistently display eloquent craftsmanship and a keen sense of observation.
Elwyn Brooks White was born on July 11, 1899, in Mount Vernon, New York. He attended Cornell University on a scholarship and served as editor in chief of its daily newspaper. After receiving a bachelor’s degree in English in 1921, he worked for the United Press, the American Legion News Service, and the Seattle Times. He took a job as a mess boy aboard an Alaskan ship in 1923 but returned to Mount Vernon later in the year to work in an advertising agency.
The founding of The New Yorker magazine in 1925 proved pivotal to White’s career. After having several submissions accepted, he joined the staff full-time in 1927. He married one of the editors, Katharine Sergeant Angell, in 1929 and became stepfather to her two children; a son was born to them the following year. Although the couple later left New York for a Maine farm, White remained a lifelong contributor to the magazine. He also wrote a monthly column entitled “One Man’s Meat” for Harper’s magazine from 1938 to 1943.
White’s publications for adults included The Lady Is Cold (1929), Is Sex Necessary? (1929, with James Thurber), Farewell to Model T (1936), The Fox of Peapack and Other Poems (1938), The Wild Flag (1946), The Second Tree from the Corner (1954), and The Points of My Compass (1962). Letters of E.B. White was published in 1976, and a collection of his essays appeared a year later. White also contributed to and revised several editions of William Strunk Jr.’s classic writer’s manual, The Elements of Style.
White’s first children’s book was Stuart Little (1945), an adventure story about a two-inch-(5-centimeter-)tall, mouselike son born to average human parents. White followed the success of that book with Charlotte’s Web (1952), winner of the 1958 Lewis Carroll Shelf Award and runner-up for the 1953 Newbery Medal. The book tells of a small pig whose life is spared twice, first by a farmer’s daughter and later by the ingenuity of a friendly spider. White drew inspiration for the tale from observing his own farm animals. The book was adapted into an animated film in 1972. White’s final children’s book, The Trumpet of the Swan (1970), chronicles the life of a mute trumpeter swan who learns to communicate by writing on a slate and by playing a trumpet. It was nominated for the National Book Award in 1971 and was included on the 1972 International Board on Books for Young People Honor List.
White received a multitude of honors, including the Presidential Medal of Freedom (1963), the Laura Ingalls Wilder Award (1970), and the National Medal for Literature (1971). In 1978 he was awarded a Pulitzer Prize special citation for his body of work. White died in Maine on October 1, 1985.
A children’s novel by E.B. White, published in 1952, with illustrations by Garth Williams. This widely read tale, which is one of the classics of children’s literature, takes place on a farm in Maine and concerns a pig named Wilbur and his devoted friend Charlotte, the spider who manages to save his life by writing words in her web. White’s own life on a farm contributed to the tranquil, pastoral setting of the book and the careful observations of animal behaviour. The novel explores, among other things, the nature of friendship, a theme many adults as well as children have appreciated.
Karen Swallow Prior
Karen Swallow Prior is Professor of English at Liberty University and an award-winning teacher. She is a contributing writer for The Atlantic.com and for Christianity Today, where she blogs frequently at Her.meneutics. Her writing has appeared in Relevant, Think Christian, and Salvo. She is a Research Fellow with the Ethics and Religious Liberty Commission of the Southern Baptist Convention, a member of INK: A Creative Collective, and a member of the Faith Advisory Council of the Humane Society of the United States.
Booked: Literature in the Soul of Me
Booked draws on classics like Great Expectations, delights such as Charlotte’s Web, the poetry of Hopkins and Donne, and more. This thoughtful, straight-up memoir will be pure pleasure for book-lovers, teachers, and anyone who has struggled to find a way to articulate the inexpressible through a love of story.