What I Saw In America

For years [Chesterton] forbore visiting America, but [finally] he decided to cross the Atlantic, in order, he announced, to “lose my impressions of the United States.”
NEW YORK TIMES (1936)

Inclement weather aside, the Chestertons seemed to have relished the prospect of this, their first trip to America. When Maisie Ward was researching her biography of Chesterton, she discovered that “Frances kept clippings of almost all their interviews” during their travels in the United States. G. K., for his part, seems to have looked on the first days following their arrival with a mixture of amusement and curiosity.

Kevin Belmonte, Defiant Joy: The Remarkable Life & Impact of G. K. Chesterton, from Chapter 20


Continue reading “What I Saw In America”

A Near Closing of the Curtain

G.K. CHESTERTON DYING
English Author Is Stricken with Paralysis at His Home

LONDON. Jan. 2.—Gilbert K. Chesterton is dying, according to information received today by The Times correspondent from a relative of the famous essayist. For more than a month Mr. Chesterton has been lying in a critical condition in his country home, Overroads, at Beaconsfield, Buckinghamshire. The exact nature of his illness has not been disclosed, but it is rumoured that he suffered a stroke of paralysis.

Special Cable to the New York Times, “G. K. Chesterton Dying,” a 94-word news flash published on Sunday, 3 January 1915, page 1

Kevin Belmonte, Defiant Joy: The Remarkable Life & Impact of G. K. Chesterton, from Chapter 19


Continue reading “A Near Closing of the Curtain”

The Toast of London

Though the knight-errant who seeks for giants and cuts their heads off is out of date, nothing can be more modern than Sir Chesterton of Overroads, who seeks for convictions and turns them inside out.

—GEORGE BERNARD SHAW (1916)

It is one of Mr. Chesterton’s jolly maxims that a man should be able to laugh at himself, poke fun at himself, enjoy his own absurdity. It is an excellent test of mental health. Man is a tragi-comedian. He should see himself the quaint “forked radish” that he is, fantastic as well as wonderful. He should see his mind ready to do battle and die, if need be, for an idea, but equally ready to get into a passion because his egg is boiled too hard. He should, in a word, see himself not as a hero, but as a man of strange virtues and stranger follies, a figure to move him to alternate admiration and laughter.

—ALFRED GEORGE GARDINER (1914)

In April 1914 A. G. Gardiner, editor of the Daily News and an accomplished essayist, published a new edition of his book of character portraits, a collection called Prophets, Priests, and Kings. As its title indicated, people from all three groups were the subject of profiles—including King Edward VII, Kaiser Wilhelm, David Lloyd George, Winston Churchill, John Singer Sargent, George Bernard Shaw, Rudyard Kipling, Thomas Hardy, General William Booth of the Salvation Army, and Florence Nightingale. All were leading figures in the worlds of politics, the visual arts, literature, and philanthropy. Chesterton was numbered among them, and the resulting prose portrait revealed the man who was G. K. C. at the height of his powers and celebrity.

Kevin Belmonte, Defiant Joy: The Remarkable Life & Impact of G. K. Chesterton, from Chapter 18


Continue reading “The Toast of London”