Weight Of The World

And so seated next to my father in the train compartment, I suddenly asked, “Father, what is sex sin?”
He turned to look at me, as he always did when answering a question, but to my surprise he said nothing. At last he stood up, lifted his traveling case off the floor and set it on the floor.
Will you carry it off the train, Corrie?” he said.
I stood up and tugged at it. It was crammed with the watches and spare parts he had purchased that morning.
It’s too heavy,” I said.
Yes,” he said, “and it would be a pretty poor father who would ask his little girl to carry such a load. It’s the same way, Corrie, with knowledge. Some knowledge is too heavy for children. When you are older and stronger, you can bear it. For now you must trust me to carry it for you.”

~Corrie ten Boom, from The Hiding Place

Continue reading “Weight Of The World”

Battling The Devil


A silly idea is current that good people do not know what temptation means. This is an obvious lie. Only those who try to resist temptation know how strong it is… A man who gives in to temptation after five minutes simply does not know what it would have been like an hour later. That is why bad people, in one sense, know very little about badness. They have lived a sheltered life by always giving in.

C.S. Lewis, from Mere Christianity

It has never been easy to be a teenager.  Crossing the border from childhood to adulthood comes with an assortment of demons and when you are thirteen year old Michelangelo, the experience comes out in paint. That’s right, he was thirteen when he painted The Torment of Saint Anthony.

The church celebrates Saint Anthony today (January 17) and his life was instructive.  He inherited wealth from his parents at age twenty but gave it all away to live in simplicity and solitude, devoting himself to contemplation and prayer.  He is known for being the father of monasticism and for his ability to battle the devil against temptations of every stripe.

The Christian’s goal is to become more Christ-like everyday.  This is called sanctification and it has never been easy.  We live in a broken world in which sin and its consequence is all around us.  Thank God, the strength of the Christian  is with the Holy Spirit who stands ready to guide and empower our every step.  Jesus said “I have told you these things, so that in me you may have peace. In this world you will have trouble. But take heart! I have overcome the world.” (John 16:33)


Ephesians 6:12

For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.

Dig Deeper

Art: The Torment of Saint Anthony by Michelangelo Buonarroti (1475–1564)

Kimbell Art Museum 

This is the first known painting by Michelangelo, described by his earliest biographers and believed to have been painted when he was twelve or thirteen years old. Although Michelangelo considered himself first and foremost a sculptor, he received his early training as a painter, in the workshop of Domenico Ghirlandaio (c. 1449–1494), a leading master in Florence. Michelangelo’s earliest biographers, Giorgio Vasari and Ascanio Condivi, tell us that, aside from some drawings, his first work was a painted copy of the engraving Saint Anthony Tormented by Demons by the fifteenth-century German master Martin Schongauer. The rare subject is found in the life of Saint Anthony the Great, written by Athanasius of Alexandria in the fourth century, which describes how the Egyptian hermit-saint had a vision that he levitated into the air and was attacked by demons, whose torments he withstood. Created when he was informally associated with Ghirlandaio’s workshop and under the guidance of an older friend, the artist Francesco Granacci, Michelangelo’s painting earned him widespread recognition. Writing when Michelangelo was still alive, both Vasari and Condivi recounted that to give the demonic creatures veracity, he studied the colorful scales and other parts of specimens from the fish market. Michelangelo subtly revised Schongauer’s composition, making it more compact and giving the monsters more animal-like features, notably adding fish scales to one of them. He also included a landscape that resembles the Arno River Valley around Florence. The work is one of only four easel paintings generally regarded as having come from his hand and the first painting by Michelangelo to enter an American collection.

Literature and Liturgy: Saint Anthony

Anthony was born in Comus, Upper Egypt, in about 250. As a young man, he was much given to prayer, and one day—hearing the Gospel passage, “If you seek perfection, go sell your possessions, and give to the poor. You will then have treasure in heaven” (Matt. 19:21) read in church—he immediately resolved to give away all that he had and to live as an ascetic. He found (269) a solitary place for himself near his village, and there spent his time in prayer, penance, and manual labor. About 285, he left for the Egyptian desert, where he lived as a hermit. In due time, stories began to spread about his holiness, his battles with the devil, and his miracles. The consequence was that other solitaries came to seek his advice, and eventually they built hermitages near his. Because Anthony now had disciples and became their spiritual guide, he formed (305) them into an organized group and led them along the way of perfection and holiness. But Anthony was made for the solitary life, and after about five years with his monks, he returned (310) to the Egyptian desert (between the Nile and the Red Sea), and there he received visitors and engaged in spiritual conversations. He is said to have twice visited Alexandria to preach against the Arians. He died at his desert hermitage in 356, at about the age of 105 years.

In the year following his death, St. Athanasius (see May 2) wrote his biography, Life of Anthony, in which Anthony is portrayed as the ideal monk and the “father” of Christian monasticism. This book had immense influence in the early Christian world, and it has always been valued as a spiritual classic. Since the fifth century, St. Anthony’s feast has been celebrated on January 17, as the date of his death.


Five key primary source documents for the desert fathers are these:
(1) Athanasius’s Life of Antony,
(2) The History of the Monks of Egypt (a.k.a, Historia Monachorum en Aegypto),
(3) The Sayings of the Desert Fathers,
(4) Cyril of Scythopolis’s The Lives of the Monks of Palestine, and
(5) John Cassian’s Conferences.

You’ll find portions of (2) and (3), as well as other ancient histories, in

Helen Waddell’s The Desert Fathers (Vintage, 1998);

Owen Chadwick’s, Western Asceticism (Westminster, 1958) contains translations of (3) and (5).

Benedicta Ward’s The Lives of the Desert Fathers (Cistercian, 1980) is a full translation of (2) and R. M. Price’s Cyril of Scythopolis:

The Lives of the Monks of Palestine (Cistercian, 1991) is what it says it is, as is Robert C. Gregg’s translation of Athanasius: The Life of Antony (Paulist, 1980).

In addition, you can find older translations of these documents on the Internet. The Christian Classics Ethereal Library (www.ccel.org) has Cassian’s Conferences (www.ccel.org/fathers/NPNF2–11/jcassian/conferen/), and The Ecole Initiative (www2.evansville.edu/ecoleweb/) has the Life of Antony, as well as many other minor works (e.g., lives of Paul of Thebes or Mary of Egypt).

Probably the most significant single work on the desert fathers has been an essay by Princeton historian Peter Brown: “The Rise and Function of the Holy Man in Late Antiquity.” He argues that these men were key figures in the transition from pagan antiquity to the Christian Middle Ages. The essay is reprinted in his Society and the Holy in Late Antiquity (University of California, 1982), and a revised assessment can be found in Authority and the Sacred (Cambridge, 1995).

Also see Christian History Magazine-Issue 64: Anthony & the Desert Fathers: Extreme Faith (Carol Stream, IL: Christianity Today, 1999).

What is Beauty?

Gerard Manley Hopkins

Glory be to God for dappled things—
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced—fold, fallow, and plough;
And áll trades, their gear and tackle and trim.
All things counter, original, spáre, strange;
Whatever is fickle, frecklèd (who knows how?)
With swíft, slów; sweet, sóur; adázzle, dím;
He fathers-forth whose beauty is pást change:
Práise hím.

Michael Graves recites Pied Beauty


Isaiah 33:17

Your eyes will see the King in His beauty; They will behold a far-distant land.


RickBeauty is the splendour of truth,” observes Stephen Dedalus in James Joyce’s A Portrait of the Artist as a Young Man, and to explain his passion for beauty, Stephen draws upon the thoughts of Plato, Aristotle and Thomas Aquinas, among others.  Metaphysics asks the question – “What is real?” and philosophy and literature have long since tried to answer.  What we call love at first sight is that mysterious moment when our eyes tell us we are gazing at something (usually someone) so beautiful it at once fulfills a longing in our hearts and answers questions we have no words to ask.

We think it is sexual, but there is a fine line between the longing beauty of art and the filth of pornography, but as Supreme Court Justice Potter Stewart said of obscenity “we know it when we see it.”  Our understanding of beauty always goes directly to our values.  Today we worry about the Unesco world heritage sites as ISIS destroys one after another.  I’m reminded of the day in 1972 that Michelangelo’s Pietà in St. Peter’s Basilica in Rome was damaged by a vandal.  I thought of that event as I stood before the masterpiece for the first time and wondered how anyone could want to destroy something so beautiful, so magnificent, so obviously from the heart of God.

That was it – my moment of epiphany.  I looked past the marble and saw Mary holding her dead Son and I knew: She was thinking the same thing.

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John 1:1

In the beginning was the Word, and the Word was with God, and the Word was God.